午夜视频在线网站,日韩视频精品在线,中文字幕精品一区二区三区在线,在线播放精品,1024你懂我懂的旧版人,欧美日韩一级黄色片,一区二区三区在线观看视频

分享

DINZ德網(wǎng) | 6000塊肥皂筑就Aesop藝術(shù)裝置

 德國(guó)室內(nèi)設(shè)計(jì)網(wǎng) 2024-10-22 發(fā)布于廣東
澳大利亞品牌Aesop位于米蘭科杜西奧廣場(chǎng)的門店由比利時(shí)建筑師Nicolas Schuybroek設(shè)計(jì),其設(shè)計(jì)理念是以Aesop品牌精髓為核心,使用6,000塊肥皂作為墻體材料,塑造出一個(gè)大型容器的外觀。

Building with the essence of a brand, using 6,000 bars of soap to shape the walls of a large container, was the idea carried out last April as the presentation of the latest store of the Australian brand Aesop, located in Piazza Cordusio in Milan, executed by the Belgian architect Nicolas Schuybroek.

在米蘭國(guó)際家具展上提出的這一臨時(shí)方案,是建筑師Nicolas Schuybroek與品牌藝術(shù)總監(jiān)Ai Kato之間富有成效的對(duì)話成果,旨在實(shí)現(xiàn)現(xiàn)代建筑的前提之一,并稍作變化,將“形式追隨功能”的理念轉(zhuǎn)變?yōu)椤靶问阶冯S配方”,這也是該作品的展示標(biāo)題。

The temporary proposal presented at Salone del Mobile in Milan was the result of a fruitful dialogue between the architect Nicolas Schuybroek and the artistic director of the brand, Ai Kato, to achieve one of the premises of modern architecture, with a slight variation, changing form follows function, to "form follows formulation" the title with which the work was presented.

“配方”是Nicolas Schuybroek在其實(shí)踐中視為核心的一個(gè)概念:“在我的工作室里,我們總是先從概念、背景和研究入手,然后才深入設(shè)計(jì)。這樣,我們?cè)趧?chuàng)作之前就能形成一個(gè)清晰的配方。這個(gè)配方在創(chuàng)作過(guò)程中可能會(huì)發(fā)生變化。但對(duì)我們來(lái)說(shuō),配方就像項(xiàng)目中的指南針一樣。

Formulation is a concept Nicolas Schuybroek considers central for his practice: "In my office we always kick-off with concept, context and research before digging into designing. In that way we develop a clear formulation before creating. This formulation can change during the process. But for us formulation works as a compass during a project".


在Aesop裝置藝術(shù)的設(shè)計(jì)中,Nicolas決定采用肥皂作為建筑材料:“一種磚砌藝術(shù)”。這位建筑師將日常功能性家居用品用作藝術(shù)作品的做法并非首次。這既是他將平凡提升至非凡境界的方式——遵循其極簡(jiǎn)主義理念——也是連接不同領(lǐng)域的橋梁:“肥皂不僅象征著沐浴、清潔與個(gè)人護(hù)理的實(shí)踐,也代表著建筑學(xué)的實(shí)踐”。

For the formulation of the Aesop installation Nicolas decided to use soap bars as architectural material: "a sort of brickwork". The architect is not new to such use of daily functional household items as works of art. This is both a way to elevate the ordinary to an extraordinary level – following his minimalist philosophy – and to link different worlds: "The soap bar did not only symbolize the practice of bathing, cleaning and self-care, but also the practice of architecture".

Nicolas Schuybroek將這家店鋪?zhàn)兂闪艘患泄偎囆g(shù)作品,通過(guò)嗅覺(jué)感受,以Aesop香皂為主要材料,打造出一個(gè)充滿香氣的感官墻面包裹。這一極簡(jiǎn)主義理念與Aesop品牌37年來(lái)的理念相結(jié)合。這一場(chǎng)景設(shè)計(jì)聚焦于自我護(hù)理、皮膚科學(xué)與感官的重要性,尤其強(qiáng)調(diào)了觸覺(jué)體驗(yàn)。該空間邀請(qǐng)顧客參與其中,讓他們躺在一塊矩形表面上,盡情放松,享受一場(chǎng)由香氣帶來(lái)的表演性體驗(yàn)。

Nicolas Schuybroek's project transformed the store days before its official opening on May 5 into a work of sensorial art, feeling through smell, using Aesop bar soaps as the main material, to create a sensual envelope of aromatic walls. A minimalist idea that has been combined with the brand's philosophy for 37 years.This scenography focuses on self-care, skin science and the importance of the senses, with a particular emphasis on touch. A space that invites the customer to participate by letting themselves go when lying down on a rectangular surface, a performative act intoxicated by aromas1.

“60年代末至70年代的貧窮藝術(shù)運(yùn)動(dòng)為這一場(chǎng)景設(shè)計(jì)帶來(lái)了靈感。多年來(lái),這一運(yùn)動(dòng)一直激勵(lì)著我,并為Aesop這一以極簡(jiǎn)包裝著稱的品牌項(xiàng)目奠定了基礎(chǔ)。”——Nicolas Schuybroek

"The Arte Povera movement from the late 60s and 70s inspires the scenography. This movement has inspired my practice for many years and shaped the basis of this project for Aesop, known for its minimalist packaging." ——Nicolas Schuybroek

2024年米蘭國(guó)際家具展(Salone Internazionale del Mobile 2024)接近尾聲之際,我們獲得了倫敦市中心這一得天獨(dú)厚的位置。在此期間,我們的店鋪設(shè)計(jì)團(tuán)隊(duì)正著手拆除由Nicolas Schuybroek創(chuàng)作的裝置藝術(shù)作品《形式追隨配方》,該作品曾在米蘭Aesop的科爾杜西奧廣場(chǎng)(Piazza Cordusio)店鋪內(nèi)展出,貫穿整個(gè)設(shè)計(jì)周。Schuybroek的作品受到20世紀(jì)60年代末至70年代貧窮藝術(shù)運(yùn)動(dòng)(Arte Povera)的啟發(fā),并與Superstudio同期的單色網(wǎng)格結(jié)構(gòu)相呼應(yīng),他采用最基本、最實(shí)用的家庭用品之一——肥皂塊,創(chuàng)作了一件非傳統(tǒng)的雕塑作品。成片的Aesop肥皂仿佛以網(wǎng)格形式懸空排列,由一個(gè)纖細(xì)的木制結(jié)構(gòu)支撐,該結(jié)構(gòu)易于拆卸,并可在不同地點(diǎn)重新組裝使用。幸運(yùn)的是,騎士橋(Knightsbridge)的租賃協(xié)議為我們幾乎立即重新部署這一引人注目的裝置提供了機(jī)會(huì)。

We were granted this unique location in the heart of London just as Salone Internazionale del Mobile 2024 was wrapping up. Our store design team was dismounting an installation by Nicolas Schuybroek—Form Follows Formulation—which had inhabited Aesop’s Piazza Cordusio store in Milan for the duration of the design week. Inspired by the Arte Povera movement from the late 60s and 70s, and echoing Superstudio’s contemporaneous monochromatic grid structures, Schuybroek had taken one of the most fundamental, functional household items—a bar of soap—to create an unconventional sculpture. Slabs of Aesop soap appeared to hover, en masse, in grid formation, supported by a slender timber structure that could be readily disassembled and reused in different locations. The Knightsbridge lease, fortuitously, presented an opportunity for the almost immediate re-deployment of this striking assembly.

項(xiàng)目客戶 | Aesop
Client | Aesop
項(xiàng)目地址 | 意大利米蘭科杜西奧廣場(chǎng)
Location | Piazza Cordusio, Milan, Italy.

Nicolas Schuybroek事務(wù)所由Nicolas Schuybroek于2011年創(chuàng)立,秉持小規(guī)模的理念。Nicolas Schuybroek建筑師事務(wù)所的核心團(tuán)隊(duì)包括Nicolas Schuybroek、Vincent Bauquis、Max De Decker、Thierry Pouilliart、Barbara Huszar、Nick Lammens、Tiago Clérigo、Azul Klix和Julia van de Graaf。我們的工作哲學(xué)無(wú)法被局限于或用我們處理的項(xiàng)目類型或規(guī)模來(lái)描述。每個(gè)項(xiàng)目都是獨(dú)一無(wú)二的,深受環(huán)境、客戶的愿望和期望以及我們與客戶建立的緊密關(guān)系的影響。

我們的工作需要時(shí)間、激情和耐心。我們享受其中。

我們的工作是對(duì)深層次實(shí)質(zhì)和溫暖的追求。在早期設(shè)計(jì)階段,這個(gè)過(guò)程通常會(huì)變得形而上學(xué)。自古以來(lái),人類一直在建造以保護(hù)自己,但我們的工作為這一定義增添了額外的層次。盡管建筑通常被描述為其本質(zhì)上的物質(zhì)主義,我們追求建筑作為創(chuàng)造寧?kù)o、保護(hù)甚至治愈氛圍的方式。

我們的工作深深植根于Gesamtkunstwerk的概念,即建筑、室內(nèi)、藝術(shù)和家具融為一個(gè)“建筑物”的概念。我們對(duì)創(chuàng)造“炫耀型”建筑不感興趣,而是通過(guò)擁抱材料和物體的本質(zhì)。我們所做的可能看起來(lái)很簡(jiǎn)單,但只是表面現(xiàn)象。我們努力激發(fā)情感,定義一種新型的空間詩(shī)學(xué)。

我們的工作可以被描述為富有禪意、溫暖、永恒、極簡(jiǎn)、寧?kù)o而寧和。我們致力于通過(guò)比例、幾何、流線、空間和線條精心雕琢的空間和體積。使用原始、真實(shí)、簡(jiǎn)單和高貴的材料,幫助我們創(chuàng)造具有靈魂的簡(jiǎn)約建筑。這個(gè)事務(wù)所規(guī)模小,但卻是國(guó)際化的。一個(gè)由來(lái)自不同背景的承諾深厚的團(tuán)隊(duì),使我們能夠承擔(dān)遠(yuǎn)超出我們國(guó)界的項(xiàng)目,擁抱不同文化,以多種語(yǔ)言進(jìn)行溝通。
MASTER WORKS

左右滑動(dòng)查看更多近期案例

家琨設(shè)計(jì) | 鹿野苑石刻藝術(shù)博物館
樸悅設(shè)計(jì) | 綠城·熙海棠 云谷思想會(huì)客廳
Jaya Ibrahim | 日塞谷 · 麗思卡爾頓隱世酒店

DOMANI東倉(cāng)建設(shè) | 喜鵲 · 南京玄武湖


    轉(zhuǎn)藏 分享 獻(xiàn)花(0

    0條評(píng)論

    發(fā)表

    請(qǐng)遵守用戶 評(píng)論公約

    類似文章 更多